Moreno
Brief Bio and partial accolades
Latin
Grammy Winner “Best New Artist“
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Anglo Grammy Nominated ”Best Latin Pop Album”
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Given the maximum “4 STARS” from: “Los Angeles Times” ,
“Miami Herald”, “San Antonio Times” “New Times” as reviews
to his music
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Nominated for “Premio lo Nuestro” (Univision) for “Best
Video” for song “Mi Sufrimiento”
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One of the top 10 videos of the year on MTV en Español, for
his Self Directed “Mi Sufrimiento” video
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One of
the first performers to sing in full Spanish on “GOOD
MORNING AMERICA”
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Has been featured 2 CBS specials “ I Love Lucy Anniversary
and One World Jam”
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Was spotlighted on Mun2 show “ A day with Jorge Moreno” and
the episode was Nominated for a regional emmy award.
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Recorded “Satallite” and wrote the spanish version, “Nave
Espacial” performed by Carlos Santana & Moreno, for the
Miramax film ‘Havana Nights”
His music hints at 60's
Brit-pop and the sound of the classic Latin crooners, jumps
forward to alternative rock, electronica and then back again.
There are crisp dance beats and lush tropical grooves. This is
the world of singer songwriter Jorge Moreno.
He grew up in a mixture of
both the American and Cuban cultures. Jorge was born in Miami
and is the youngest of four siblings, whom all grew up
surrounded by music. He says he learned a lot from his father,
Tony Moreno, a respected veteran executive of the Latin music
industry. "Not about writing songs or how to sing, but about
the business," says Moreno. “ I was exposed to show
business at a very young age." While getting a taste of show
business and Tropical music from his father, Moreno was also
learning about 50's and 60's pop and rock from his mother,
Melba. "She is a very big fan of Elvis, The Beatles and many
more artists of that time and I came to love the music through
her. "I'm an encyclopedia on 50's & 60's and 70’s pop and
psychadelic music, very good on trivia….. I guess I've been an
intense music devotee since I was a kid " , Moreno says.
After five years of making
demos, EMI Music Publishing signed him as a songwriter, and
then his music caught the ear of Madonna, whom ultimately
signed him as the first latin artist to her then new Latin
imprint Maverick Musica. Suddenly Jorge found himself working
with top producers Lester Mendez, A.T. Molina and Andres Levin
"each with a different personality, each doing different songs
and it really turned out for the best," says Moreno.
The album launched Moreno
into the spotlight and basically turned him into “an overnight
press sensation” (as described by one reporter from the Miami
Herald). The collection of songs on the album show Moreno’s’
delicate finesse for the art of songwriting and drew so much
recognition he went on to receive countless amounts of
critical praise and T.V. interviews , with performances
ranging from “Good Morning America” to it’s Latin equivalent
“Despierta America” and ultimately garnered him a Latin Grammy
for “Best New Artist”. The following year he was also
nominated for “Best Latin Pop Album” in the “Anglo Grammy’s”
for that same album. The work included Moreno originals such
as "Despertaré," his first single which was described by The
New York Times as: “a pop ballad with an impassioned hook that
should prove irresistible to young fans if it's given a chance
at radio.” "Mi Sufrimiento" a pop song "with a Tropical
twist," that got loads of attention when Moreno self produced
and directed his own video, quickly launching it into the MTV
(ES) TOP 10 and getting a nomination for a Univision
award...as Jorge describes it.. “It’s funny how that video
cost zero dollars to produce and was competing against videos
that cost many, many thousands…I am a strong believer in mind
over money.” After signing Moreno as the first member of
Madonna’s new Latin family, the division grew rapidly, signing
a total of 13 artists to the roster (an ambitious feat for a
label of two years). Unfortunately, relations between the old
Warner Music Group and Maverick started to sour on both the
Anglo and Latin side. Madonna sold her part back to Warner
which ultimately lead to the complete restructuring of the now
imprint and the demise of it’s infant Latin counterpart.
Moreno, still riding his wave of success wanted to avoid the
merging tsunami’s and wisely asked to become a free agent. “I
grew up understanding record company politics and have seen it
destroy very talented people on both the executive and the
artistic side. I’m’ just lucky enough to recognize it”. Soon
after, he was contacted by The Carlos Santana camp to sing the
opening track for the movie “Havana Nights” which was written
by Santana and Rob Thomas (Matchbox 20). Flattered, Moreno
agreed. He also continued to tour around the nation, gathering
experiences and coming home to seclude himself in writing new
material and to explore into other business ventures.
“What
sets Moreno apart from the typical artist is that he has a
very strong sense for business but is a creative and prolific
with his own artistic work, he’s got his head screwed on right
and does not let the glitz and egos of this business affect
him.”